"[It] hit me like the Throwing Muses/Slowdive/PJ Harvey mashup I never knew I needed... think Cocteau Twins meets Bloodwitch."
— Jason Lee, The Deli Magazine

"Spacey art-pop songs as written by a wicked pen, sung by leather lungs, and played by beasts. What's not to love?"
— Jesse Krakow, WFMU radio

Review for 'Subversive To Care' from Paul Is Dead Records: "I would prospectively call this vibe or aesthetic Twilight Music. By Twilight Music I mean songs that’ve got a certain hazy/dreamy/slightly off-kilter quality whether they’re upbeat or downbeat or mid-beat. And in this way it’s good music for putting on around twilight say when you’re pregaming for a Saturday night out, or waking up Sunday morning trying to recall what happened the previous night, or songs that fit equally well for either scenario (for example track 32, Dahl Haus’ “Silhouettes and Alibis”).
— Jason Lee, The Deli Magazine

"Pedal effects pulse, nostalgia rains — softly turning leafy hideaways emerald — as melodies melt at the edges of placid dreams. 'Helium' is a verdant, enchanting new track from New York City’s Dahl Haus."
— The Autumn Roses (Songs. All We Care About Are Songs.)

"The well-written, finely-honed songs are delivered in a dramatic fashion, showcasing its central figure’s substantial performance abilities. For her part, Blaise strikes an appealing balance of youthful energy and experienced stagecraft."
— Dave Cromwell Writes, February 2018

"Blaise’s voice is special: sultry, strong, used to croon lyrics that feel matured past her 22 years. It’s the glaze over the sometimes wavering/sometimes crunchy guitar, the bass with a heartbeat, and the drum machine that was not available for comment in this interview. Sure, you can hear certain influences: Garbage, PJ Harvey, Hole—and that’s her jamming with Court’s bassist Jennie Vee in this “Lips Like Sugar” cover—but most of all you hear Blaise Dahl."
— Mary Grace Garis for AudioFemme

"Songs like the fuzzy bass and guitar thrill ride of ‘Scream Machine’ simmer with an underlying tension as Blaise provides an intimate vocal look inside love’s amusement park. The driving chugger ‘Seasick’ hits all the marks for rock and roll diva swagger. A slithering bass-line and heavy distortion guitar lays the groundwork for a series of catchy vocal hooks. While the inventive lyrical wordplay of dream popper ‘Helium’ compares romantic attraction to the second most abundant element in the observable universe."
— Dave Cromwell Writes, February 2017

“Blaise Dahl exhibits a powerful, resonant voice that soars over her lyrically intelligent, well-crafted songs. Lead guitarist Daniel Kasshu adds texture to Blaise’s songwriting, and her solo creative vision that is Dahl Haus.

These two musicians (who are usually joined by a much in-demand drummer who was needed elsewhere on this evening) appear to be made for each other, as their love for a particular guitar-based wall-of-gaze sound and stylistic imagery sync up perfectly.”
— Dave Cromwell Writes, August 2016

"Dahl Haus was super awesomeness at Bar Matchless. I heard Bowie, Nirvana, Garbage, and Jefferson Airplane influences and I loved it with all my heart."
— Brendan B Brown, Wheatus